Joined in 2023 
82 
63 About this deal
Rudi Stern has written, "The 1930s were years of great creativity for neon, a period when many design and animation techniques were developed. ... Men like O. J. Gude and, in particular, Douglas Leigh took neon advertising further than Georges Claude and his associates had ever envisioned. Leigh, who conceived and created the archetypal Times Square spectacular, experimented with displays that incorporated smells, fog, and sounds as part of their total effect. ... Much of the visual excitement of Times Square in the thirties was a result of Leigh's genius as a kinetic and luminal artist." [11] Major cities throughout the United States and in several other countries also had elaborate displays of neon signs. Events such as the Chicago Century of Progress Exposition (1933–34), the Paris World's Fair (1937) and New York World's Fair (1939) were remarkable for their extensive use of neon tubes as architectural features. Stern has argued that the creation of "glorious" neon displays for movie theaters led to an association of the two, "One's joy in going to the movies became inseparably associated with neon."
Neon lighting - Wikipedia Neon lighting - Wikipedia
Weeks, Mary Elvira (2003). Discovery of the Elements: Third Edition (reprint). Kessinger Publishing. p.287. ISBN 978-0-7661-3872-8. [ permanent dead link] Sprengnagel, Dusty (1999). Neon World. ST Publications. ISBN 978-0-944094-26-6. A collection of photographs of neon signs from cities around the world, most unannotated. Claude Neon Lights Wins Injunction Suit: Also Gets Rights to Recover Profits and Damages Resulting From Patent Infringement". The New York Times. November 28, 1928. Paid access.
LED Neon Signs for Parties & Special Occasions
See also: Neon sign A neon light art installation in Bangkok The vicinity of Times Square, New York City, has been famous for elaborate lighting displays incorporating neon signs since the 1920s. Piccadilly Circus, London, 1962 The mid to late 1980s was a period of resurgence in neon production. Sign companies developed a new type of signage called channel lettering, in which individual letters were fashioned from sheet metal. a b c van Dulken, Stephen (2002). Inventing the 20th century: 100 inventions that shaped the world: from the airplane to the zipper. New York University Press. p.42. ISBN 978-0-8147-8812-7.
Blue Neon Lights - Etsy UK
a b c Strattman, Wayne (1997). Neon Techniques: Handbook of Neon Sign and Cold-Cathode Lighting (4thed.). ST Media Group International. ISBN 978-0-944094-27-3. The small size of the negative glow region of a neon lamp, and the flexible electronic properties that were exploited in electronic circuits, led to the adoption of this technology for the earliest plasma panel displays. The first monochrome dot-matrix plasma panel displays were developed in 1964 at the University of Illinois for the PLATO educational computing system. They had the characteristic color of the neon lamp; their inventors, Donald L. Bitzer, H. Gene Slottow, and Robert H. Wilson, had achieved a working computer display that remembered its own state, and did not require constant refreshing from the central computer system. The relationship between these early monochrome displays and contemporary, color plasma displays and televisions was described by Larry F. Weber in 2006, "All plasma TVs on the market today have the same features that were demonstrated in the first plasma display which was a device with only a single cell. These features include alternating sustain voltage, dielectric layer, wall charge, and a neon-based gas mixture." [3] As in colored neon lamps, plasma displays use a gas mixture that emits ultraviolet light. Each pixel has a phosphor that emits one of the display's base colors. Fox, Margalit (August 18, 2006). "Rudi Stern, Artist Whose Medium Was Light, Dies at 69". The New York Times. ANSI Luminous Tube Footage Chart" (PDF). American National Standards Institute (ANSI). Archived from the original (PDF) on 2016-04-16 . Retrieved 2012-06-01. Reproduction of a chart in the catalog of a lighting company in Toronto; the original ANSI specification is not given. While the market for neon lighting in outdoor advertising signage has declined since the mid twentieth century, in recent decades neon lighting has been used consciously in art, both in individual objects and integrated into architecture. Frank Popper traces the use of neon lighting as the principal element in artworks to Gyula Košice's late 1940s work in Argentina. Among the later artists whom Popper notes in a brief history of neon lighting in art are Stephen Antonakos, the conceptual artists Billy Apple, Joseph Kosuth, Bruce Nauman, Martial Raysse, Chryssa, Piotr Kowalski, Maurizio Nannucci and François Morellet [13] in addition to Lucio Fontana or Mario Merz.Cutler, Alan (Summer 2007). "A visual history of Times Square spectaculars". The Smithsonian Institution. Archived from the original on 2010-06-20. These neon tubes were essentially in their contemporary form. [11] [19] [20] The outer diameters for the glass tubing used in neon lighting ranges from 9 to 25mm; with standard electrical equipment, the tubes can be as long as 30 metres (98ft). [21] The pressure of the gas inside ranges from 3 to 20 Torr (0.4–3 kPa), which corresponds to a partial vacuum in the tubing. Claude had also solved two technical problems that substantially shortened the working life of neon and some other gas discharge tubes, [22] and effectively gave birth to a neon lighting industry. In 1915, a US patent was issued to Claude covering the design of the electrodes for gas-discharge lighting; [23] this patent became the basis for the monopoly held in the US by his company, Claude Neon Lights, for neon signs through the early 1930s. [24] Claude, Georges (November 1913). "The Development of Neon Tubes". The Engineering Magazine: 271–274.
Great Deal 
New Comment